This study is important because it helps us grasp how evangelical Protestantism rehabilitated and advanced itself intellectually in a period when the movement faced educational marginalization in the wider culture. Gresham Machen to lead the fledging League of Evangelical Students reveals a significant, but largely unnoticed dimension of evangelical history.
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Kyle’s career as a biblical archaeologist and his efforts with the distinguished evangelical scholar J. Indeed, Kyle and others from the UP tradition wrote articles in The Fundamentals (1910–1915), the famed paperback volumes devoted to presenting Christian truth. He was learned and diplomatic, but unwavering in his theological stance and his commitment to evangelical Presbyterian scholarship. Kyle wrote several books, edited a leading Christian academic journal, participated in many excavations, taught and lectured on biblical archaeology widely, established a Bible lands museum that still exists today, and belonged to various academic societies. Kyle, who was perhaps the most scholarly Presbyterian seminary president in America, was a volcano of energy and there was no doubt where he stood in the great theological debates of his era. Tall and rail thin the sixty-seven-year-old Kyle was a biblical archaeologist and an advocate of evangelical Presbyterian scholarship and the bold stands of Machen. While other Presbyterian seminary administrator’s spurned Machen’s efforts the spirited United Presbyterian, Melvin Grove Kyle, embraced them wholeheartedly.
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Moreover, the UPCNA was a much smaller denomination when compared to the larger mainline PCUSA.
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The UPCNA, whose members were identified as UPs, were an evangelical Presbyterian denomination with a populist orientation. The United Presbyterian Church of North America was a merger of groups that came out of the 17th century Scottish Covenanters and the 18th century Scottish Seceder movement. Xenia was founded in 1794 and was one of two United Presbyterian seminaries in America. However, the president of the nation’s oldest and most enthusiastically evangelical Presbyterian seminary, Xenia, decided to support Machen and the LES from the start. Gresham Machen and his Princeton Seminary colleagues were launching the League of Evangelical Students (LES), no Presbyterian Church U.S.A. So even with the occasional letdown, there's a lot to be said for Rise Against pulling everything off with as much substance and strength as they do the whole way through.In 1925, when J. The excellent "Prayer of the Refugee" jarringly alternates between plaintive guitars and weary singing to an empowered chorus and exploding rhythm section to affectingly address the plight of displaced families of war the frustrated disconnect distressing a troubled relationship is represented surprisingly well in "The Approaching Curve," with its driving use of spoken word and complementary female backing vocals.Įssentially, The Sufferer & the Witness showcases Rise Against maturing within the realms of major-label hardcore revivalism, while still remaining relevant and exciting.
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This record is basically one shout-along, mosh-worthy song after another, though the guys do throw in some interesting moments outside of continual rushes of pure adrenaline. "Injection" and "Ready to Fall" bring things back into invigorating Rise Against territory early on, while "Bricks" stands out as a vicious blast of old-school hardcore energy and power. This later happens again in songs like "Under the Knife" and the ferocious-yet-still-slightly-missing "Worth Dying For," but moments like these are, in truth, more the exception than the rule. However, "Chamber the Cartridge" doesn't quite open the record with the same acidic bite as past lead tracks, as the chorus is lacking something in its delivery to really hit a nerve. With producers Bill Stevenson and Jason Livermore manning the controls this time around, the band's inner grit is aptly drawn out amid all the pit-ready choruses and fist-in-the-air, stirring lyrics.Īs such, Rise Against continue to muscularly confront political and personal grievances to the tune of swirling guitars, assertive rhythms, and Tim McIlrath's sandpapered vocals. Their melodic hardcore may still sound more mainstream accessible, but this can hardly be looked at as a bad thing.Īfter all, the band's sincerity and passion emerge very much intact - their socially conscious approach no less pressing - and new and old fans alike should take to Sufferer with open arms. The Sufferer & the Witness finds Rise Against continuing on the path begun on 2004's well-received Siren Song of the Counter Culture.